Categories
Film Interview

Local Hero comes home with Screen Machine

Meeting Local Hero producer Iain Smith and director Bill Forsyth
Meeting Local Hero producer Iain Smith and director Bill Forsyth

I was back with the Screen Machine at the start of November, celebrating two iconic Scottish productions as part of the cinema’s 15th anniversary.

Over the course of the previous few months I’d been planning (in association with Natural Scotland on Screen and BAFTA in Scotland) screenings of Bill Forsyth’s Local Hero and the BBC Play for Today, The Cheviot, the Stag and the Black, Black Oil, in locations heavily associated with the films as they celebrated their 30th and 40th anniversaries respectively.

For Local Hero that was in Mallaig and for Cheviot… it was Dornie, both on the West Coast of Scotland, and for both events we managed to secure the presence of key talent associated with the films – for Local Hero that was writer-director Bill Forsyth and producer Iain Smith, while for Cheviot… it was star and co-writer, Bill Paterson.

Post-screening Q&A with Bill Paterson
Post-screening Q&A with Bill Paterson

One of the objectives of the cinema’s 15th anniversary celebration was to stage events around the Highlands and Islands that would normally be prohibitively expensive to run. It’s rare for their to be film screenings outside the usual blockbusters in the cinema.

Screen Machine's Iain MacColl with Bill Patersonq
Screen Machine’s Iain MacColl with Bill Paterson

I also carried out post-film Q&A sessions with those involved and there was an opportunity for the 80-strong audiences to ask questions at both events.

Coverage from the Daily Record and The Herald helped give the Screen Machine some extra publicity, but the main purpose – to give the audience a great night out which didn’t require a trip to an Edinburgh or Glasgow cinema – was achieved that weekend.

Categories
Film Writing

On sequels and the return of Dunsinane

It’s been a while since I had a chance to review a theatre production, so I was delighted when The National Theatre of Scotland got in touch to commission me for an article for a tour of David Greig’s Dunsinane.

Dunsinane is Greig’s sequel to Shakespeare’s Macbeth, so the NTS team were keen to feature a piece on sequels in various media, focusing mainly on films and books. A bit of research dug up the fact that there aren’t too many sequels to theatre productions in existence, something I ponder in the article.

The play has now finished its most recent tour but hopefully it’ll be back soon with a reprint of the rather lovely programme.