I’ve been quiet on this site for the last month or so, busy covering the Edinburgh International Film Festival for BBC Radio Scotland’s Culture Studio and the Edinburgh Evening News.
While my opening night EIFF review is online, my interview with its star Felicity Jones aired on the BBC a month or so ago, so is long gone from iPlayer.
Last week saw another of my interviews air, this time with the director of Wikileaks: We Steal Secrets, a look at the facts behind the muddled story of Julian Assange and his infamous website. I spoke to Alex Gibney for around 10 minutes ahead of the film’s Edinburgh premiere, and a few minutes of that was broadcast from around the 22 minute mark.
As a long time fan of Joss Whedon’s work, be it Buffy, Angel, Firefly or any number of other projects, I was delighted to get the chance to interview him for this week’s Culture Studio on BBC Radio Scotland.
He was in Scotland to promote his latest film, Much Ado About Nothing, and he explained how he came to make the Shakespeare adaptatation with a group of friends from his numerous films and TV series.
Last November I was sent by BBC Radio Scotland to North Queensferry, on the outskirts of Edinburgh, to attend filming of the second season of detective drama, Case Histories.
My interview with actor Jason Isaacs was transmitted today on the BBC Culture Studio – you can hear the segment from around 1 hour and two minutes in.
I was also on the show yesterday with a report from the Palais des Festivals in Cannes, the building where the great and the good gather each year for the Cannes Film Festival. You can hear my interview with Philippe Octo from around 9 minutes in.
Back in January I mentioned that I’d just returned from a 10-day trip to the Côte d’Azur as a guest of the local tourist board, who were keen to highlight the region’s film connections to potential visitors.
Since then I’ve been putting together a new blog, www.filmtravellercotedazur.com, which will see me cover the trip via blog posts, photos and video content over the next few months.
A quick plug for my appearance on last week’s BBC Movie Café, in which I interview members of an Edinburgh adult education course who attend a monthly film screening at the city’s Cameo cinema.
The group, mainly comprised of retired film fans, have been meeting for the last 15 years and after featuring the story on my own site, ReelScotland, I pitched the story to BBC Radio Scotland, who sent me along to a screening of Argo.
The 2013 Glasgow Film Festival finished a week ago, eleven days of premieres and special events which brought filmmakers and film fans to the Glasgow Film Theatre and other venues around the city.
This year found me covering the event for the BBC Movie Café, interviewing actors such as James D’Arcy for Cloud Atlas and Gemma Arteron and Saoirse Ronan for Byzantium, while writer/director Joss Whedon was in town to promote his low-budget adaptation of Shakespeare’s Much Ado About Nothing.
I also visited the brand new BFI Mediatheque at Bridgeton Library, a resource which houses thousands of hours of film and TV which would otherwise be unavailable. I took my iPhone along and recorded a video interview with Mediatheque curator, Simon McCallum for ReelScotland.
A few weeks ago I had an opportunity to interview the legendary British actor, Terence Stamp, for the BBC Movie Cafe.
Terence was in Edinburgh to promote his latest film, low budget drama Song for Marion, in which he stars alongside Vanessa Redgrave as a man trying to come to terms with his wife’s ailing health and decision to join a local choir.
The world has once more gone Middle Earth mad, with the release this week of Peter Jackson’s The Hobbit in cinemas, nine years after his last visit to The Shire.
I was asked by the BBC Movie Cafe and the Edinburgh Evening News to head along to Edinburgh’s Cameo Cinema last weekend for a special screening of the Lord of the Rings trilogy, a 10 hour endurance test involving Orcs, Dwarves and people dressed as Hobbits.
The radio segment can be heard over on BBC iPlayer for another few days, while I’ve reproduced the Evening News column below:
With The Hobbit arriving in cinemas tomorrow, it seemed like a good idea last Sunday to head to the Cameo to watch The Lord of the Rings trilogy on the big screen.
At around 10 hours in duration, this was no ordinary film screening, meaning I had to be prepared for all eventualities. Forget the lembas bread wrapped in leaves favoured by Frodo and Sam, I went for some ham sandwiches and too much coffee.
The films were a joy to revisit, with Peter Jackson’s vision of Middle Earth, a dark and brooding place with the occasional glimpse of light as our heroes made their way to Mordor, looking suitably epic in the original 35mm prints.
Leaving the screening on a high, I hoped The Hobbit would prove to be as exhilarating, as Jackson returned to his world with a new Bilbo Baggins in the shape of Martin Freeman alongside Sir Ian McKellan as Gandalf.
The director has embraced a pioneering new technology which doubles the normal frame rate of the film, 48 fps (frames per second) instead of 24. Jackson claims this is a more immersive experience and that all films will go this way.
Rather than looking as big and bold as Lord of the Rings, The Hobbit looks more like it’s shot on the set of a 1980s soap opera. While landscapes look lush and rich, close-ups of the actors bring you closer to them, making the heavy prosthetics and make-up more obvious.
Most importantly, the thin story doesn’t justify the three-hour length, with not much really happening apart from some fights, lots of running around and the appearance of Gollum.
With two more films to come, it looks like it’s going to be a slog to get to the end of this particular journey.